Ebook Attachment, Trauma and Multiplicity: Working with Dissociative Identity Disorder

Ebook Attachment, Trauma and Multiplicity: Working with Dissociative Identity Disorder

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Attachment, Trauma and Multiplicity: Working with Dissociative Identity Disorder

Ebook Attachment, Trauma and Multiplicity: Working with Dissociative Identity Disorder

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About the Author

Valerie Sinason is a psychoanalyst and Consultant Research Psychotherapist at the Psychiatry of Disability Department at St George's Hospital Medical School, London. She is Director of the Clinic for Dissociative Studies, Harley Street, London. She is the author of Treating Survivors of Satanist Abuse, Routledge, 1994

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Product details

Paperback: 296 pages

Publisher: Routledge; 1 edition (May 5, 2002)

Language: English

ISBN-10: 041519556X

ISBN-13: 978-0415195560

Product Dimensions:

6.3 x 0.9 x 9.2 inches

Shipping Weight: 12 ounces (View shipping rates and policies)

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Amazon Best Sellers Rank:

#1,521,298 in Books (See Top 100 in Books)

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Free PDF Mille parole legate da un solo sentimento: l'amore

Free PDF Mille parole legate da un solo sentimento: l'amore

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Program Type: Audiobook

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Audible.com Release Date: December 27, 2018

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Download After (The After Series), by Anna Todd

Download After (The After Series), by Anna Todd

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After (The After Series), by Anna Todd

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Review

Be prepared to have an emotional explosion!--Biblio BellesThe one thing you can count on is to expect the unexpected.--Vilma's Book BlogAnna Todd manages to make you scream, cry, laugh, fall in love, and sit in the fetal position... Whether you have read the Wattpad version or not, After is a can't miss book - but get ready to feel emotions that you weren't sure that a book could bring out of you.--Fangirlish

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About the Author

Anna Todd is the New York Times bestselling author of the After series, The Spring Girls and The Brightest Stars. Always an avid reader, she began writing stories on her phone on Wattpad, the reading and writing multi-platform for original stories, with After becoming the most read series on the platform with over 1.5 billion reads. After has been published in over 30 languages, with more than 10 million copies sold worldwide, and is a #1 bestseller in Italy, Germany, France, and Spain. The film adaptation of After, which Anna is co-producing, is set to be released in early 2019. Anna and her husband currently live in Los Angeles. Find her at AnnaTodd.com, on Twitter at @Imaginator1d, on Instagram at @Imaginator1d, and on Wattpad as Imaginator1D.

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Product details

Series: The After Series (Book 1)

Paperback: 608 pages

Publisher: Gallery Books; Media Tie-In edition (March 12, 2019)

Language: English

ISBN-10: 1982111003

ISBN-13: 978-1982111007

Product Dimensions:

5.3 x 1.5 x 8.2 inches

Shipping Weight: 1 pounds (View shipping rates and policies)

Average Customer Review:

4.2 out of 5 stars

710 customer reviews

Amazon Best Sellers Rank:

#2,440 in Books (See Top 100 in Books)

I just couldn't get through this book. Quite frankly, I'm baffled at all the high reviews. This book literally drained me to read.First let's start with the fact that the characters read far younger than they are. Tessa reads more 16 than a college student and Hardin doesn't read close to 20 which he would be as a second year student. Tessa's internal monologue was grating and the constant screaming and use of exclamation marks was just—well let's just say I would rather stick bamboo in my fingernails then continue reading.On to the next point which may contain spoilers so skip this if you don't want anything spoiled. Neither character had any redeemable qualities. I read a lot about it being a toxic relationship and people putting the blame on Hardin, but let's be honest, Tess is just as bad. What this book boils down to is sex and not love. After Hardin constantly treating her like crap she always runs back and guess what they do? Yup, fool around. So I repeat, that's not love, that's lust. For instance: After getting in a big fight with Hardin (and after cheating on her boyfriend for weeks) Tessa calls her BF and begs him to skip out on school and drive 3 hours to see her just to piss Hardin off. Once he gets there, she ditches him the second Hardin "needs her" then proceeds to take her boyfriend's car and stay the night with Hardin without telling her BF. Then proceeds to screw around with Hardin. Things obviously blow up the next day but then she gets back with her boyfriend to once again cheat on him and then dump him. These are HER actions, nothing Hardin pushes, in fact he tells her she's pathetic and stupid for breaking it off with him.Then there is a crap ton of back and forth. Seriously, they fight every chapter and considering most chapters are below 1,500 words that's draining.The final blow is the fact that the writing is crap. Very choppy and the lack of contraction makes the writing seem odd. Most people won't say "I will take you. they'll say "I'll take you." I don't mind it in the narration, but when people are talking it should sound like people are talking.In the end, I made it to 65% which is pretty good considering I had to stop frequently. I'm really not sure how this is so popular and why just like 50 shades, they are making a movie which will obviously be terrible because the source material is terrible. (Speaking of 50 shades, there are so many plot points taken from there it literally made me roll my eyes.) I did skip to the end and the way it ends is so contrived I just can't. At almost 600 pages you would think more would actually happen.So, if you like characters with actual substance, then skip this book. If you want to read constant yelling then screwing around with no underlying ANYTHING—then this is your book.

I don't usually write reviews, but I couldn't help it this time. I am not exaggerating when I say it is one of the most poorly written books I've ever read. The dialogue is stale and repetitive. The descriptors are pretty much non-existent (the author doesn't SHOW us anything, she always TELLS us). The main characters aren't developed well at all. The few times that the author sets up a perfect scenario for us to find out more about our characters, she just glosses over any details that could make us actually like them. As a result, all that we see is that Hardin is abusive and Tessa is childish.Tessa is supposed to be this innocent person, but she purposefully pushes Hardin's buttons and throws herself at him around every corner. Hardin physically grabs Tessa throughout the whole book when she's trying to remove herself from the situation, therefore removing her option of escape, and then proceeds to tell her emotionally and mentally abusive things. I'm in my twenties, not much older than these characters are supposed to be, but every single time I read their conversations, I thought I was reading the words of elementary school children. I couldn't even make it all the way through the unnecessarily lengthy novel because I was so tired of reading the same argument after the 100th time after their breakup/makeup.I sincerely hope that whoever reads this book does not view this relationship as something to strive towards. Please, for the sake of every other good novel out there, do not waste your money on this one.

This book is seriously messed up. I read it because my friend liked it and I said I’d read it so we could see the movie together this spring. I will not support this and can’t fathom why someone would make this into a movie. As I was reading, I kept a little list of inconsistencies and other problems I could discuss with my friend later. I’ll go through those, but they all pale in comparison to the serious issues of emotional abuse, alcoholism, and PTSD that were used as cavalier plot devices.Anna Todd really wants you believe the main character, Tessa, is an innocent and studious planner. I find it hard to believe such a serious and focused person who only applied to one college never went to visit the campus she dreamed of attending. Did I mention the campus was only 2-3 hours away? (It was 2 hours in the beginnning then it’s 3 hours so idk.) This just one example of the many ways Todd tells the reader things instead of showing us. Also, people always apply to more than one college! I’m also confused about the size of this campus/student body. It takes 20 minutes to find her first class and 30 minutes to walk to the admin office which would make you think it was large. However, she happens to share (all?) at least 2 classes with her friend, Landon. Even if they shared the same major, that would be unlikely at such a large school. A one point, Tessa mentions Landon by his first name only to the (punk?) group of friends and they know who he is. How? It is so unlikely considering they run in different circles, don’t have similar majors, and the campus is supposedly so big. I don’t know about all campuses, but usually the frat houses aren’t so far away, freshman cannot have cars on campus, and its never easy to find a parking spaces all the time. There are other issues with the school/frat and the whole plot reaks of high school drama, so it’s clear Todd never attended a college like the one she (I would say describes but she never really describes it) uses as the setting for this story. I don’t even want to mention the actual classroom scenes becasue they are so cringeworthy. Todd attempts and fails to use the sparksnotes version of Wuthering Heights and Pride and Prejudice to draw parallels between those main charactors and her own. It’s so bad. Another issue I have to address is: Do NOT share eyeliner! Ever! Thats a great way to get an infection. Why even put that in the story???Ok, I’ll ignore how the timeline jumps weeks and skips Thanksgiving all together, the amazing internship and inprobale way her classes can easily be changed so far into the semester, and Trevor who is randomly at the wedding(?) to get to the bigger issues. All the character lack depth especially the female characters who are reduced to their tattoos and clothes. The (lack of) female friendships are sad and discarded as soon as Tessa doesn’t need them. The slut shaming is incessant and uncalled for. Tessa cheats on her boyfriend of 2 years. It’s ok for her to do that, but a single woman hooking up with someone is a slut? I think it says a lot more about the author than about any character.The emotional abuse in blatant and inexcuable. Hardin, the love interest whose randomly Britsh and clearly based off Harry Styles, is emotionally abusive to Tessa and Tessa is physically violent towards him (she slaps him on two occasions). Deleting someone messages and controlling who they see to keep them for yourself is not romantic or sexy. It’s terrifying. I was ashamed and frighten by how easily this behavior is accepted and excused. Are readers meant to accept this behavior because Hardin has PTSD and has alcoholic tendencies? Yes becasue obviously, naive 18 year old Tessa can save him. (‘She is an adult after all’ she remindes the reader several times.) They are *truly* meant to be together. It’s terrible. I despise the narrative that women have to save men. (We are busy! Find someone else to save you!) I have to mention my other least favorite trope which is this story (of course). Side note: Of course is Todd’s favorite phrase to overuse. Hardin says something like I love a women who eats. Wow, it’s so sexy that women need food for life and they actually enjoy it? How exhilarating and novel! I, for one, am glad Hardin finally found someone that eats. Truly a match made in heaven. Alcoholism is not discussed in a meaningful even though its supposed to be something to bond Tessa and Hardin together. For two people with alcoholic fathers, you would think they would have different opinions on alcohol and acknowledge/work through their abandonment issues in a more productive way. There are so many more things to say but I’m getting tired and depressed thinking about this book, so I’ll try to finish by saying the ending (or lack there of) didn’t make sense. I assume it ends that why so people will jump to read that next one, but I relieved it was over and sad I wasted time on it. The whole was a bet thing came out of left field. It didn’t really make sense in the whole narrative and it was not hinted at all. If it was such a competitive game and there was a big prize, why did it seem like Hardin was the only one playing? Why did no one tell? Can you really believe that Steph, a sophomore in college and seemly friendly person, wouldn’t tell? Are we supposed to believe women are that terrible to other women? I don’t buy it. I guess it was thrown in to keep the story and emotional/psychological abuse rolling. In conclusion, please don’t read this book.

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File Size: 47213 KB

Print Length: 152 pages

Publisher: Princeton Architectural Press; 1 edition (July 2, 2013)

Publication Date: July 2, 2013

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B00DLI1PBQ

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Amazon Best Sellers Rank:

#511,684 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

Great book!

If you are looking for a straightforward, no nonsense explanation and description of building envelope systems used in common residential construction today----this book is probably not for you. Probably a good text for architecture students who paid a lot of money to take the class and must spend time on esoteric principles vs. real world practices. I found the layout of the book difficult to read and the content wordy, to say the least. If you like an abundance of graphic styles in lieu of just plain English and easily readable information, then you might like this text. Long on theory and short on applications. No index. Definitely not a field manual. Rain screens???

Building Envelopes: An Integrated Approach by Jenny Lovell provides a great compact overview without getting into too much detail on any one element - perfect for students seeking an big picture look at the subject or practitioners looking for fresh ideas on the topic and ways to express them. Overall, the book should appeal to both academics and practitioners interested in something other than a conventional approach to creating building enclosures.The text is divided into three sections: Feedback Loops, Elements of a Holistic Approach and lastly, Strategies; a series of case studies illustrating the points made earlier in the book. The book advocates an approach to building skin design that takes the particularities of the project, including its site and situation, into consideration in lieu of a run of the mill solution. Coverage of impacts on the building envelope due to climate and energy control are particularly strong. While the approach may not be novel to all readers, the way it is described and illustrated could not be made more clear or effective. In fact, the color graphics are consistently excellent and original. The images alone tell a compelling story about envelope design and construction.Building Envelopes is part of a book series which includes another great title, Digital Fabrications: Architectural and Material Techniques by Lisa Iwamoto. Another book you might enjoy (at over 5 times the cost and size) containing a similar series of case studies advocating an integrated approach is Integrated Buildings: The Systems Basis of Architecture by Leonard Bachman. For a contemporary look at the subject Building Envelopes: An Integrated Approach is a great choice.

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